Braque’s violin shows every view point and angle of a violin all at the same time, challenging the idea of traditional thinking.Īll of the above mentioned subjects reflect on how both analytical and synthetic cubism are a part of the modern movement and how the two are different from each other. Braque’s violin in Violin and Palette and Picasso Still Life with Chair Caning show this style of thought process. ![]() Seeing everyday life and life’s objects and figures in a new way is what cubism is. Both forms of cubism, analytical and synthetic, follow this practice. This change in thinking resulted in the the gradual change to modern art and modernism. Modernism reflects the rise of the changes in traditional thinking that were considered to be outdated, these include art, architecture, literature, religion, social structure, and daily life. It developed from the rise of industries, rapid growth of city life, and first world war. The concept of Modern Art is based on the modern thought, character, and practice of Modernism. This clearly fits into the cubist movement the Picasso and Baroque created. Modern art moves away from the narrative and becomes more and more abstract. Modern art is art that usually dissociates the traditional style of art and experimenting with new ways of seeing the world around them. Modern art’s time period includes approximately from the sass’s to the sass’s, cubism takes place in the early sass’s so it falls into his time frame. Cubism directly influenced Futurism, Vortices, Supremacist, Constructivism, and Expressionism. Technological advances lead to the rise of this new style, with the invention of cars, planes, cameras, phones, sound recording and cinematography, artists needed a new way of conveying these objects and advances. Cubism focused on developing a way of viewing that reflected the modern age. Cubism was the first step of modern art towards abstraction. Its innovations would be taken up by the likes of Piety Mandarin, who continued to explore its use of the grid, its abstract system of signs, and its shallow pace,” (Wolf). “Cubism paved the way for geometric abstract art by putting an entirely new emphasis on the unity between the depicted scene in a picture, and the surface of the canvas. Synthetic Cubism paved the way for Pop Art using other media based matter and integrating it into the composition. It abandons perspective and dispenses with realistic enduring of figures and objects and replaces that by making representational shapes in the composition. Analytical Cubism paved the way modern art breaks traditional meaner of how things are represented. ![]() ![]() Synthetic Cubism also had much more distinct geometrical patterns and textures. Analytical Cubism still had an element of three dimensionality whereas Synthetic Cubism lost all sense of three dimensional space and was Just two dimensional and flat.Īnalytical Cubism also involved using muted colors so the focus was on composition and the change of perspective while Synthetic Cubism used bright colors as well as graphics, words, and other media. Compare that to how Baroque made the violin in Violin and Palette, everything is painted onto the picture and is somewhat recognizable as the object from which it represents. For example instead of Picasso painting the chair caning into the painting of his Still Life with Chair Caning, he simply attached it onto the the picture as if it belonged onto the canvas. The first and most relevant being the use of collage in synthetic but not in analytic cubism. Figure 2, Picasso Still Life with Chair Caning Their are quite a few distinct differences between Analytical and Synthetic Cubism. And that one cannot paint,” Pablo Picasso. “In Cubism, in the end what was important is what one wanted to do, the intention one had. Synthetic cubism’s use of art made by artists combined with art made by manufacturer and is often said to be the first Pop Art. Picasso Still Life with Chair Caning (Figure 2 below) is an excellent example of synthetic cubism. Collage was a huge part of the synthetic style, replacing painted objects with the actual object glues onto the canvas.
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